pieces and details

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My practice emerges from the interrelation of two crafts: ceramics and sewing. By bringing these disciplines together, I explore how softness can shape structure. I work with porcelain, but my process begins with textiles: hand-stitched and padded leather molds that behave like skin. 

These soft forms receive liquid porcelain, transferring the tensions, seams, and folds of the textile surface. Through weight, gravity, and time, each mold compresses and reshapes the porcelain within, until fire fixes the form permanently.

This process is not only sculptural, but also corporeal. It involves pressure, breath, and resistance. The gestures of sewing, pouring, binding, and releasing are physical acts that leave their imprint on the final object. In this sense, my pieces are not representations of bodies, but bodies in themselves: compressed, marked, and bearing the memory of a skin that once belonged to a living body.

Like the body, clay is responsive, vulnerable, and alive to touch. It remembers every contact, just as fabric remembers its folds.

I see my work as a search for hybrid forms, where disciplines dissolve and materials behave like bodies: absorbing gestures, holding memory, and undergoing transformation. 

TRAJECTORY

- 2025 - INTERWOVEN, Homo Faber Capsule, Sevilla.

- 2025 - 3 Days of Design, Copenhagen.

- 2025 - Biennale Révélations, Paris.

- 2024 - C14, Paris.

- 2024 - HOMO FABER, Venice.

- 2024 - Maison&Objet, Paris.

- 2024 - Special Prize Award - Gyeonggi Ceramic Biennale, Korea, showcasing innovative técnicas de cerámica.

- 2023 - Salón Résonances, Strasbourg, highlighting the beauty of cerámica artesanal.

- 2023 - CONTEMPORANIA High Craftmanship, Barcelona, featuring exquisite diseño de objetos.

- 2023 - International Contemporary Art Fair Pinta Parc, Lima, Perú, presenting works in experimental porcelain and fabric porcelain.

- 2022 - International Contemporary Art Fair Ch.ACO, Santiago, Chile.

- 2022 - Aninat Gallery, solo exhibition “In Corium,” Santiago, Chile, focusing on técnicas de cerámica.

- 2022 - National Culture Fund "FONDART", Santiago, Chile.